Exhibitions<\/h2>\n<\/div><\/div><\/div><\/div><\/div>2025<\/h3>\n<\/div><\/div><\/div>![\"Czarno-bia\u0142a](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/bogacki-01.jpg\")
<\/span><\/li>![\"Czarno-bia\u0142a](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/0025-01.webp\")
<\/span><\/li>![\"Czarno-bia\u0142e](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/amw_xi_116_19k-01-1.jpg\")
<\/span><\/li>![\"Czarno-bia\u0142e](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/0011-01.webp\")
<\/span><\/li><\/ul><\/div><\/div>2025.06 | W\u0142adys\u0142aw Bogacki – photographs<\/strong><\/a><\/p>\n2025.07 | Jan Tadeusz \u015acibior – photography<\/strong><\/a><\/p>\n2025.08 |\u00a0 Dance. Trance, Emotion, Collectivity \u2013 Muzyka Odnaleziona Foundation \/ Rural Music Archive | The Summer School of Tradition<\/strong><\/a><\/p>\n2025.09 | Exhibition: \u201cCrimea \u2013 An Unfinished Journey \u2013 200 Years\u201d<\/strong><\/a><\/p>\n<\/h1>\n<\/div><\/div><\/li>\n<\/ul><\/div><\/div><\/div>2024<\/h3>\n<\/div><\/div><\/div>![\"Czarno-bia\u0142y](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/teatr-edwarda-hartwiga-wystawa-piotr_fronczewski-01.webp\")
<\/span><\/li>![\"Czarno-bia\u0142e](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/3_40_0_18_5_4_0-01.jpg\")
<\/span><\/li>![\"Czarno-bia\u0142e](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/lepich-01.jpg\")
<\/span><\/li>![\"Czarno-bia\u0142e](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/carpenterowie-01.jpg\")
<\/span><\/li><\/ul><\/div><\/div>2024.05 | Edward Hartwig: A Master of Theatre Photography<\/strong><\/a><\/p>\n2024.06 | Gra\u017cyna Rutowska \u2013 outdoor photography exhibition<\/strong><\/a><\/p>\n2024.08 | Neighbours: From Birth to Death \u2013 The Photographic World of Franciszek Lepich<\/strong><\/a><\/p>\n2024.09 | Frank and Frances Carpenter: Capturing the World<\/strong><\/a><\/p>\n<\/div><\/div><\/li>\n<\/ul><\/div><\/div><\/div><\/div><\/div>2023<\/p>\n<\/div>
<\/div><\/div>![\"Czarno-bia\u0142a](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/marczewski.1.07.092-01.jpg\")
<\/span><\/li>![\"Czarno-bia\u0142a](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/zofia_poziom-01.jpg\")
<\/span><\/li>![\"Czarno-bia\u0142a](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/tradycyjna_architektura_drewniana_lubelszczyzny-01.jpg\")
<\/span><\/li>![\"Portret](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/ansel-adams-01.jpg\")
<\/span><\/li><\/ul><\/div><\/div>2023.06 | Lublin through Witold Marczewski\u2019s lens | exhibition<\/a><\/strong><\/p>\n2023.07 | Sofia Yablonska – photography exhibition<\/strong><\/a><\/p>\n2023.08 | Traditional Wooden Architecture of the Lublin Region \u2013 Exhibition of photography from the collections of the National Museum in Lublin<\/strong><\/a><\/p>\n2023.09 | <\/a>\u201c\u2026suffering under a great injustice\u201d | Ansel Adam\u2019s photographs of Japanese-American Internment at Manzanar<\/strong><\/p>\n <\/p>\n
<\/p>\n<\/div><\/div><\/li>\n<\/ul><\/div><\/div><\/div>
2022<\/h3>\n<\/div><\/div><\/div>![\"Czarno-bia\u0142e](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/ok_0500_0060_0013_004-01.webp\")
<\/span><\/li>![\"Czarno-bia\u0142e](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/ok_0500_0028_0025_002-01.webp\")
<\/span><\/li>![\"Czarno-bia\u0142e](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/067_15_55-01.webp\")
<\/span><\/li><\/ul><\/div><\/div>2022.06 | Irena Jarosi\u0144ska \u2013 Lublin 1954<\/strong><\/a>
\n
\n2022.07 | Irena Jarosi\u0144ska – portraits<\/a><\/strong>
\n
\n2022.08 | Exhibition \u201cUkraine and Ukrainians\u201d | The Ivan Honchar Museum National Centre of Folk Culture<\/strong><\/a><\/p>\n<\/div><\/div><\/li>\n<\/ul><\/div><\/div><\/div><\/div><\/div>2021<\/h3>\n<\/div><\/div><\/div>![\"Czarno-bia\u0142y](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/autoportret-julii-pirotte-\u2013-odbicie-w-lustrze-z-aparatem-w-rekach-fot.-j.-pirotte-1943-sygn.-zih-02-a-00002-01.webp\")
<\/span><\/li>![\"Czarno-bia\u0142e](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/artur-pastor_grafika-promo-wystawy-01.webp\")
<\/span><\/li>![\"Czarno-bia\u0142a](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/master-pnp-nclc-00700-00753u-01.jpg\")
<\/span><\/li>![\"Czarno-bia\u0142a](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/janmagierski_kwadrat-01.jpg\")
<\/span><\/li><\/ul><\/div><\/div>2021.06 | Julia Pirotte – Faces<\/strong>
\n
\n2021.06 | Lewis Hine \u2013 Socially Engaged Photography<\/strong>
\n
\n2021.08 |Women in Arur Pastor\u2019s Photography <\/strong><\/p>\n2021.09 |Lublin in Jan Magierski\u2019s photographs.<\/strong><\/p>\n<\/div><\/div><\/li>\n<\/ul><\/div><\/div><\/div>2020<\/h3>\n<\/div><\/div><\/div>![\"Czarno-bia\u0142e](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/wystawa-w-zaulku-01.webp\")
<\/span><\/li>![\"Czarno-bia\u0142e](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/migrant-mother_dorothea-lange-01.webp\")
<\/span><\/li>![\"Czarno-bia\u0142e](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/zacu-2492-01.webp\")
<\/span><\/li>![\"Czarno-bia\u0142e](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/zapis-socjologiczny-zofia-rydet-01.jpg\")
<\/span><\/li><\/ul><\/div><\/div>2020.06 | The Rynek 4 Glass Plate Negative Collection<\/strong><\/p>\n2020.07 | Dorothea Lange (1895\u20131965) Photos from the Collections of Farm Security Administration
\n<\/strong><\/p>\n2020.08 | Eternity was born in the village \u2013 Zaharia Cu\u0219nir <\/strong><\/p>\n2020.09 | \u201cThe Sociological Record\u201d \u2013 Zofia Rydet\u2019s photography<\/strong><\/p>\n<\/div><\/div><\/li>\n<\/ul><\/div><\/div><\/div><\/div><\/div>2019<\/h3>\n<\/div><\/div><\/div>![\"Czarno-bia\u0142e](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/0007-01.webp\")
<\/span><\/li>![\"Czarno-bia\u0142a](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/z-niepewnosci.webp\")
<\/span><\/li>![\"Czarno-bia\u0142e](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/4835-smolski-01.jpg\")
<\/span><\/li>![\"Czarno-bia\u0142e](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/a_polakowski_33-01.webp\")
<\/span><\/li><\/ul><\/div><\/div>2019.06 | Lublin through the lend of Stanis\u0142aw Jacek Magierski<\/strong><\/p>\n2019.07 | \u201cFrom unknown to unknown: World War II refugees in Lithuania\u201c – exhibition of photography by Boles\u0142awa and Edmund Zdanowscy<\/strong><\/p>\n2019.08 | Jakub Smolski. The village photographer from \u0141uka<\/strong><\/p>\n2019.09 | A farewell to the Gypsy caravan \u2013 Andrzej Polakowski\u2019s photography 1966\u20131967<\/strong><\/p>\n<\/div><\/div><\/li>\n<\/ul><\/div><\/div><\/div>2018<\/h3>\n<\/div><\/div><\/div>![\"Wystawa](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/stefan-kielsznia-\u2013-dokumentalista-lublina-fot.-ignac-tokarczyk-142-01.jpg\")
<\/span><\/li>![\"Czarno-bia\u0142e](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/uliczne-zycie-\u2013-xix-wieczna-gruzja-w-fotografii-d.-jermakowa-fot.-dmitrij-jermakov-2-01.webp\")
<\/span><\/li>![\"Na](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/arch.-pme-dep.-mich.-642-tif-01-1.jpg\")
<\/span><\/li>![\"Czarno-bia\u0142e](\"https:\/\/warsztatykultury.pl\/wp-content\/uploads\/2025\/10\/fot.-leon-barszczewski-01.webp\")
<\/span><\/li><\/ul><\/div><\/div>2018.06 | Stefan Kie\u0142sznia \u2013 the documentarian of Lublin
2025<\/h3>\n<\/div>
<\/div><\/div>- <\/span><\/li><\/span><\/li><\/span><\/li><\/span><\/li><\/ul><\/div><\/div>
2025.06 | W\u0142adys\u0142aw Bogacki – photographs<\/strong><\/a><\/p>\n
2025.07 | Jan Tadeusz \u015acibior – photography<\/strong><\/a><\/p>\n
2025.08 |\u00a0 Dance. Trance, Emotion, Collectivity \u2013 Muzyka Odnaleziona Foundation \/ Rural Music Archive | The Summer School of Tradition<\/strong><\/a><\/p>\n
2025.09 | Exhibition: \u201cCrimea \u2013 An Unfinished Journey \u2013 200 Years\u201d<\/strong><\/a><\/p>\n
<\/h1>\n<\/div><\/div><\/li>\n<\/ul><\/div><\/div><\/div>
2024<\/h3>\n<\/div>
<\/div><\/div>- <\/span><\/li><\/span><\/li><\/span><\/li><\/span><\/li><\/ul><\/div><\/div>
2024.05 | Edward Hartwig: A Master of Theatre Photography<\/strong><\/a><\/p>\n
2024.06 | Gra\u017cyna Rutowska \u2013 outdoor photography exhibition<\/strong><\/a><\/p>\n
2024.08 | Neighbours: From Birth to Death \u2013 The Photographic World of Franciszek Lepich<\/strong><\/a><\/p>\n
2024.09 | Frank and Frances Carpenter: Capturing the World<\/strong><\/a><\/p>\n<\/div><\/div><\/li>\n<\/ul><\/div><\/div><\/div><\/div><\/div>
2023<\/p>\n<\/div>
<\/div><\/div>- <\/span><\/li><\/span><\/li><\/span><\/li><\/span><\/li><\/ul><\/div><\/div>
2023.06 | Lublin through Witold Marczewski\u2019s lens | exhibition<\/a><\/strong><\/p>\n
2023.07 | Sofia Yablonska – photography exhibition<\/strong><\/a><\/p>\n
2023.08 | Traditional Wooden Architecture of the Lublin Region \u2013 Exhibition of photography from the collections of the National Museum in Lublin<\/strong><\/a><\/p>\n
2023.09 | <\/a>\u201c\u2026suffering under a great injustice\u201d | Ansel Adam\u2019s photographs of Japanese-American Internment at Manzanar<\/strong><\/p>\n
<\/p>\n
<\/p>\n<\/div><\/div><\/li>\n<\/ul><\/div><\/div><\/div>
2022<\/h3>\n<\/div>
<\/div><\/div>- <\/span><\/li><\/span><\/li><\/span><\/li><\/ul><\/div><\/div>
2022.06 | Irena Jarosi\u0144ska \u2013 Lublin 1954<\/strong><\/a>
\n
\n2022.07 | Irena Jarosi\u0144ska – portraits<\/a><\/strong>
\n
\n2022.08 | Exhibition \u201cUkraine and Ukrainians\u201d | The Ivan Honchar Museum National Centre of Folk Culture<\/strong><\/a><\/p>\n<\/div><\/div><\/li>\n<\/ul><\/div><\/div><\/div><\/div><\/div>2021<\/h3>\n<\/div>
<\/div><\/div>- <\/span><\/li><\/span><\/li><\/span><\/li><\/span><\/li><\/ul><\/div><\/div>
2021.06 | Julia Pirotte – Faces<\/strong>
\n
\n2021.06 | Lewis Hine \u2013 Socially Engaged Photography<\/strong>
\n
\n2021.08 |Women in Arur Pastor\u2019s Photography <\/strong><\/p>\n2021.09 |Lublin in Jan Magierski\u2019s photographs.<\/strong><\/p>\n<\/div><\/div><\/li>\n<\/ul><\/div><\/div><\/div>
2020<\/h3>\n<\/div>
<\/div><\/div>- <\/span><\/li><\/span><\/li><\/span><\/li><\/span><\/li><\/ul><\/div><\/div>
2020.06 | The Rynek 4 Glass Plate Negative Collection<\/strong><\/p>\n
2020.07 | Dorothea Lange (1895\u20131965) Photos from the Collections of Farm Security Administration
\n<\/strong><\/p>\n2020.08 | Eternity was born in the village \u2013 Zaharia Cu\u0219nir <\/strong><\/p>\n
2020.09 | \u201cThe Sociological Record\u201d \u2013 Zofia Rydet\u2019s photography<\/strong><\/p>\n<\/div><\/div><\/li>\n<\/ul><\/div><\/div><\/div><\/div><\/div>
2019<\/h3>\n<\/div>
<\/div><\/div>- <\/span><\/li><\/span><\/li><\/span><\/li><\/span><\/li><\/ul><\/div><\/div>
2019.06 | Lublin through the lend of Stanis\u0142aw Jacek Magierski<\/strong><\/p>\n
2019.07 | \u201cFrom unknown to unknown: World War II refugees in Lithuania\u201c – exhibition of photography by Boles\u0142awa and Edmund Zdanowscy<\/strong><\/p>\n
2019.08 | Jakub Smolski. The village photographer from \u0141uka<\/strong><\/p>\n
2019.09 | A farewell to the Gypsy caravan \u2013 Andrzej Polakowski\u2019s photography 1966\u20131967<\/strong><\/p>\n<\/div><\/div><\/li>\n<\/ul><\/div><\/div><\/div>
2018<\/h3>\n<\/div>
<\/div><\/div>- <\/span><\/li><\/span><\/li><\/span><\/li><\/span><\/li><\/ul><\/div><\/div>
2018.06 | Stefan Kie\u0142sznia \u2013 the documentarian of Lublin